Erick Mota’s Habana Undergüater and Cuba’s Collective Trauma of 1990 Socialism’s Collapse

The enthralling Mota's plots and characters reflect the ongoing negotiation of Cuban national identity at the dawn of the twenty-first century to a world that feels like a post-apocalyptic future. This integration of Afro-Cuban mythology also challenges traditional Western narratives: He never justifies the choice and instead presents a universe where diverse ontologies and knowledge systems coexist. It is a liberating and subversive political project, but still full of conflicts.

Seven Hundred Eighteen Words Apropos of “Anxiety Loops”

In “Blacceleration Then and Now," Professor Tavia Nyong'o proposes exploring "Black fabulation as a mode of dwelling within disaster," since we already are in the apocalypse. From the get-go, it is not complicated to deduce that for him, bad readings of science fiction equal disaster. As a prime subject for state-sponsored techno-vigilance (victim) and language teacher (victimizer), I concur.